The Clueless Librarian |
There's the knowledgeable librarian. There's the sexy librarian. There's the professionally trained librarian. And then there's me :: the clueless librarian. |
Cecilia Levy’s tea cups are made from recycled book pages.
[via January 10, 2012 Shelf Awareness]
[via the Craft zine blog in a kind of roundabout way]
26 years ago today, the world lost E. B. White – remember him with his poetic letter to children on the love of libraries.
(via excessivebookshelf)(via excessivebookshelf)
Badass motherfucker of the century.
THIS KID GIVES ME HOPE.
I never thought I’d be giving huge props to someone named Nekochan, but if that’s the environment she’s in, even having a mild catgirl interest in Japanese culture is kind of a success.
You go, Neko. ^5
Book Clock sold by Perpetual Kid

[via Craft zine blog]
Four short videos on Brain Pickings
Edible Books
[via Craft Zine blog]
Hearts weigh quite a lot. That is why it takes so long to grow one. But, as in their reading and arithmetic and drawing, different children proceed at different speeds. (It is well known that reading quickens the growth of a heart like nothing else.)
from The Girl Who Circumnavigated Fairyland on a Ship of Her Own Making by Catherynne M. Valente
TEDGlobal 2011: “The Stuff of Life” program book designed by Hybrid Designs

[W]e asked Dora Drimalas of Hybrid Design about the relevance of print as a medium. “The printed program is an integral part of the conference experience. It’s a keepsake. TED is all about interactivity. The program book provides tactile interactivity. Conference goers are encouraged to take notes, mark pages, and journal about the amazing things they see and hear.” The book is printed in traditional four-color process with a second hit of black for the rich solids. The front and back covers use a two-level sculpted emboss to give life to the wood blocks that make up the title. Dora says — and one can see by looking — that the die maker “went nuts” on the die; the detail in the wood grain and surface of the blocks is so realistic it looks and feels real. “By embossing the front and back covers we made the book a more visceral experience, more of a ‘thing.’ We made it part of life’s ‘stuff,’” she observes.
[via Felt & Wire]